Lawyers say a deal has been reached over control of an 1888 painting by Vincent van Gogh
ByED WHITE Associated Press
DETROIT -- A deal has been reached over control of an 1888 painting by Vincent van Gogh, lawyers said, weeks after the custody fight created public buzz and much tension near the end of a rare U.S. exhibition in Detroit.
Brokerarte Capital Partners LLC, which claims to own “The Novel Reader,” told a federal appeals court that it reached a confidential settlement with the unnamed entity who loaned the painting to the Detroit Institute of Arts for an exhibition of Van Gogh's works that ended Jan. 22.
Because of the dispute, the museum has been under orders to hold the painting while the court determined who would next get the art.
Brokerarte Capital, an art brokerage, said it acquired the painting in 2017 for $3.7 million and gave temporary possession of it to a third party who absconded with it. The company filed a lawsuit on Jan. 10 seeking to seize the painting, and the museum subsequently posted a security guard next to it.
The museum was caught in the middle but wasn't accused of wrongdoing. It has not publicly explained how it got the painting on loan, saying only that it came from a collection in Brazil.
Lawyers for Brokerarte Capital and its sole proprietor, Gustavo Soter of Brazil, said a deal had been reached with the other party.
“Consistent with the confidential settlement, Brokerarte no longer seeks injunctive relief, and therefore, this appeal is moot,” lawyers said in a March 13 filing with the 6th U.S. Circuit Court of Appeals.
The museum said it spent more than $100,000 defending itself in the litigation, which began in federal court in Detroit. It argued that a federal law governing the international sharing of art prevents courts from intervening. The U.S. Justice Department took a similar position.
The museum still is concerned about the significance of the appeals court issuing an injunction in February. It wants the court to consider declaring the injunction “null and void” so it can't be cited as a precedent in any future international art disputes.
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